By Raeghan Miller, Jenna Nolot, and Hayden Pope

BLOOMINGTON, IN. (April 3, 2025)

For most athletes, a college career ends with the final whistle of a season-ending game. For Indiana University basketball player Jackson Creel, however, that ending came earlier than expected. A tough injury forced him to step away from the game, which not only altered his season, but also his perspective on basketball and life. 

Jackson suffered a foot injury while returning from Christmas break. Initially, the setback had a negative impact on the rest of his season. He was faced with a tough reality that he didn’t expect. He underwent surgery about a week and a half later, holding onto hopes that the healing process would speed up in time for him to return to the court. However, as time passed and the season came to an end, he realized he wasn’t going to get the ending he had imagined.

“It took me a lot of time to readjust,” Jackson said. “It was sad that I had to end my college career without being on the court. The season came to an end, and I still wasn’t able to return. But I’m grateful for the experience.” 

When Jackson was first injured, he didn’t think there was much he could do for his team. But over time, his perspective shifted. He realized he could still contribute in meaningful ways without stepping foot onto the court. 

“I could bring a lot of energy to practice and drills, be a cheerleader for my teammates, just giving them confidence and enthusiasm,” Jackson said. Even though this didn’t affect his performance, he was able to help his teammates. 

This shift in mindset allowed Jackson to be thankful for his season, even though it looked nothing like what he had expected. He appreciated that he had the opportunity to positively impact his team. 

Meanwhile, Jordan Rayford, a point guard for Indiana University, was suffering from his own struggles after tearing a ligament in his foot. This injury placed him on the sideline for nine months. During this time, he realized how much he missed playing with his team. He admitted that when you’re healthy, it’s easy to take some moments for granted. 

“I became more grateful for things I used to look past, like waking up early for practice,” Jordan said. “It changed how I viewed performance as well. Before I thought about it in terms of how many shots I was making, dunks, and layups. Now, I see it as more than that. It’s how I maintain my health off the court. Getting into the ice tank after practice, working with the trainer, those things became more important to me. 

Jordan spent nine months watching his teammates put in the work, giving him a new perspective as a player. Instead of focusing on what he couldn’t do, he used this time to his advantage, watching and improving his skills for his future on the court. “You actually get to watch practice and see where people are making mistakes,” he said. “When you come back, you can fill those voids.”

The shift in mindset helped both players find meaning in their time away from the court. They realized that being a part of the team was an opportunity that shouldn’t be taken for granted, and they needed to appreciate the sport and the brotherhood that came with it. 

For other athletes dealing with potentially career-ending injuries, they both offered a piece of advice. Jackson said, “It’s not ideal, but be grateful that you had this opportunity. Bring thankfulness, joy, encouragement, and appreciate that you can impact their performance and help them as much as you can.” Jordan highlighted that his perspective changed after his injury, and it made him the player he is today. He wants others to know that they need to find the positives of being injured. 

Though Jackson and Jordan’s college careers went in a direction they never expected, they both have a deeper appreciation for their health, the game, and the impact they can have beyond playing on the court. As Jackson moves on from Indiana University, he takes with him the lessons of gratitude, while Jordan prepares for another shot at the game he loves. Both players have grown through their struggles, proving that resilience, perspective, and gratitude can turn setbacks into opportunities.

https://youtu.be/JS9-2QHR3sE

IU men’s basketball players Jordan Rayford and Jackson Creel open up about their experiences with injury, recovery, and the mental toll of being sidelined. Their stories reveal how performance extends beyond the court and into the personal challenges athletes face off the hardwood.

By Lauren Wainwright, Chloe LaVelle and Taylor Waterman 

BLOOMINGTON, Ind.  (April 3, 2025)

Electric energy surged through The Bishop on the night of March 21, 2025. The DIY noise rock band, Mourning Star, took the stage, striking a chord with the audience. 

But for the audience, it was more than just a concert. 

It was an immersive experience showcasing noise rock’s raw, unfiltered spirit. Founded by Thom Kitchel and Anna Pregger, Mourning Star has become a beacon for those seeking music beyond the polished. They offer a sound that’s as much about connection and inspiration as it is about the music itself. Even being down a drummer for the performance, the members were able to compensate. Nova Hardie moved to the drums while Pregger played bass and sang. Mason Taylor was one of many Bloomington community members at The Bishop that night.  “They had a loud encompassing sound that like I just haven’t heard from anywhere else,” Taylor said.

In just one short year,  Mourning Star has rapidly grown in prominence. “I don’t know if I would call it a rise to fame. It’s been very fast, but it’s also been very satisfying,” Kitchel said. What began as a small hobby has now become something much bigger. The band has been booking three shows a month and is preparing for out-of-state gigs in the coming months.  

While booking shows is critical to their growing success, the true test for any band lies in its dynamic. For Mourning Star, this cohesion is essential. “Our dynamic, I think we work very well. I think that when we perform live, we are really good at it; even if there are little mistakes, we are really good at recovering from those,” Pregger said. Pregger can recall only one instance where the band had to completely reset during a performance—a testament to their strong chemistry and adaptability. But band dynamics don’t happen overnight. “I remember our first ever practice, it was in a garage and we practiced and it was just like ‘oh boy we got a long way to go, ’” Kitchel said.

A band has to start from somewhere, it starts with a passion. For Pregger, the dream of forming a band began years earlier, in high school, when she first encountered the DIY music scene. “Hearing that other people could start it with just nothing, just make like garage band music just like in the car, that was very inspirting to me. Throughout high school, I would just make, like, really not good-sounding things, but I would do just sorta the same thing. And I was like, maybe I can actually do this one day,” Pregger said.  While she dabbled in music creation throughout high school, it wasn’t until she encountered other college bands and started collaborating with Kitchel that she truly believed it was possible to create something of her own. Kitchel, who moved to IU this year, wanted to create a band that created a sound that was conducive to the sound he was envisioning. 

The band goes beyond the music, though, hoping that they can make an impact in the Bloomington scene. Pregger has hope that they have accomplished this goal. “There’s been a couple people that have come up to us after shows who have seen us, and they have been like ‘Wow, you guys make us want to start a band.’ And that’s been sorta crazy to me, and that’s made me want to perform more to inspire people’s goals because like the way that I got inspired was seeing other college students being in bands and being like, oh yeah, I could be able to do that.” Pregger said.

While fame is on the minds of many bands, Pregger has other ideas. “I don’t need to be a big band to be happy. I just want to play with bands that I really like.” Pregger said. The Bloomington scene is shaping up to be a launching pad for the band’s continued success, but the foundation for Mourning Star’s journey lies in their shared passion for creating music that resonates with them. It’s not just about the noise they make on stage, but it’s about the moments of connection that form both within the band and with their growing community of fans. 

Mourning Star caught the attention of their audience on March 21, 2025, at The Bishop Bar in Bloomington, Indiana. Beginning in 2024, the noise rock band reflected on their successes and hopes for the future. 

By Devon Proscia, Benjamin Cowles and Sam Bowlby

BLOOMINGTON, Ind. (April 3, 2025)

Music had always been part of Claire Carpenter’s life, but it wasn’t until after her accident that she realized just how much it meant to her. A traumatic ATV crash caused severe fractures, nerve damage, and chronic pain, making physical activities difficult. Running, jumping, even standing for extended periods—things she once took for granted—became daily struggles. But rather than let the injury define her, Carpenter turned to something that had always brought her joy—performing.

“I love music, and I love performing,” Carpenter said.  “It’s my favorite thing to do. I’m happiest when I’m performing. Singing is a great way to work through my traumas and emotions.”

She wasn’t ready to give up on being on stage, even if it meant adapting. At Indiana University, she connected with guitarist Ahnay Hering through mutual friends who shared their love for music. What started as casual jam sessions quickly evolved into something more. With the addition of a bassist and drummer, OPAL was born. The group found its sound through late-night rehearsals in cramped practice spaces, experimenting with melodies and lyrics that reflected their personal struggles and triumphs. Before long, they were booking gigs at house shows and local venues, earning a loyal following and a reputation for delivering raw, emotionally charged performances.

The band’s music blends indie rock with alt-pop influences, featuring soaring vocals, moody guitar riffs, and deeply personal lyrics. Their songs explore themes of resilience, transformation, and the weight of past experiences, resonating with audiences who see their own struggles reflected in the music. Carpenter’s voice, raw and emotionally charged, serves as the heart of the band, pulling listeners in with every note. Her ability to channel pain into something beautiful has become one of OPAL’s defining characteristics, creating a connection with fans that extends far beyond the stage.

Hering has watched Carpenter’s journey up close. “Seeing her adapt to that and work her way around it or sometimes just fight through it is really inspirational,” said Hering

Despite her love for the stage, performing isn’t easy. Carpenter’s injury means that standing for long periods is grueling, and even short sets require careful planning. She often leans against amplifiers between songs, subtly shifting her weight to relieve pressure. Sometimes, she has to sit for acoustic numbers, a decision that frustrates her but keeps her going. Even walking onto the stage can be an exhausting effort, but the moment the first chords ring out, the discomfort fades into the background.

Carpenter realized that music gave her the same rush as her former passion, cross-country running. The discipline, the adrenaline, and pushing herself beyond her limits—it was all still there. When she steps on stage, the pain fades into the background, and her love for the art takes center stage.

“When I’m performing, I don’t necessarily notice the pain,” said Carpenter.

During OPAL’s performance at The Bluebird, Carpenter knew she was pushing her limits, but stopping wasn’t an option. The music surged around her, and with every lyric, she poured her struggle into the sound, funneling her emotions out toward the crowd. The flashing stage lights, the hum of amplifiers, and the pulse of the bass created an electric atmosphere that made every moment on stage worth it.

The audience moved in sync with the music, drawn in by the band’s infectious energy. Some swayed with closed eyes, letting the lyrics wash over them, while others cheered between songs, hanging onto every word Carpenter sang. Each performance was more than just a set—it was a testament to resilience, to pushing through pain for the love of something greater. Every note was a declaration that she wasn’t backing down, and every song was proof that she could still take up space on stage, on her own terms.

As OPAL’s reputation grows, so do their ambitions. The band has been writing original songs, experimenting with their sound, and dreaming about their next steps. With growing recognition in the local scene, they hope to record their first EP and tour beyond Indiana. For Carpenter, the goal is simple: keep performing, no matter what. There’s always going to be pain, but that doesn’t mean you stop. You just have to learn a new way to move.

Her journey is one of transformation—of redefining what it means to be a performer and a fighter. And as long as there’s a stage, Claire Carpenter will find a way to conquer it.

https://youtu.be/QBbOGN7dZBQ?si=AKipw9nP4eGsE5qn

By Preston Andrews, Emma Silverman, Ava Epply and Vivian Ferrari

BLOOMINGTON, IND (April 3, 2025)

On a cold, rainy Bloomington day, a group of students gathers along the Woodlawn track. This type of day would be described as “Nasty.” Yet, the students gather anyway. Geared with sticks and elbow pads, they partake in a two-hour practice in the less-than-desirable elements. None of the students are being paid, they are doing it all by choice, and they are doing it, for the love of the game.

Only 7% of athletes will play college sports, and only 2% will play Division One. Club sports keep dreams alive for college students; they provide a safe and fun outlet to not only continue to play the sport they love but to embrace a new community and smooth the transition to college.

Claire Macabee, a Freshman from Indianapolis, first heard of the club lacrosse team through a friend from her hometown, and instantly saw it as a fit, for her transition to college.

Unlike most clubs, however, club sports teams are not always welcome to all. Macabee and almost ninety other freshmen had to go through a tryout process, with just ten making the team.

“Everyone at the tryout played in high school all four years; Lacrosse varies in popularity based on the region in the U.S. Although it was tough to make the team, it is probably a little less competitive,” Macabee said in an interview.

Macabee is correct, the popularity of Lacrosse on the East Coast, nearly doubles that of the Midwest.

As a club Lacrosse athlete, Macabee noticed some differences between High School and Club Lacrosse.

“The biggest difference for me is the availability with practices and games; sometimes you have classes and projects that you just cannot miss,” she said.

This is yet another reason why club sports are so popular among students. Even at the smallest levels of college sports, Athlete sometimes comes before the student in the term “Student Athlete”. As a club sport participant, flexibility is not only provided but encouraged. The Indiana Club Lacrosse team, for example, carries a roster of 45 players, with the assumption that scheduling conflicts will arise.

So, who is in charge of such a large group of girls? Who is there to give advice on strategy, and to organize practice?

IU Club Lacrosse does not have a Coach, but rather a President. Macabee claims that the Hoosiers as one of the few club programs in the country without a Coach. Although this is completely different than what all players experienced in high school, and a majority of their Lacrosse lives, Macabee and the rest of the roster, do not always see it as a bad thing.

“We are captain-led, which means we rely on our Seniors and our one Sophomore captain.”

But how does student leadership work so effectively?

“I am sure a lot of people who played high school sports can relate to this, but it can be challenging with a coach, especially for girls because coaches can be very demanding, but if someone on your team is technically the coach, they understand where you are coming from and the challenges you face as a player.”

Just like the rest of us, these athletes seek advice from people who have been in their shoes. Macabee sighted the fact that the Seniors run the show. With that leadership structure in place, it allows full transparency among players and makes sure that everyone feels included not only in practices but off the field as well, something Macabee sights as key in her college transition.

“Last semester, we went to Nashville, Chicago, and Dayton, Ohio, this semester, we are going to Milwaukee, and we are going to Ohio State next week.”

When asked which trip was her favorite, Macabee’s answer did not come as a surprise.

“There are a ton of amazing memories, but the best memory I have is Nashville. Nashville is a very fun city, and to be in Nashville downtown was a very fun and exciting moment; especially as a Freshman, in my first semester to be with a bunch of girls of all different ages in such a fun place, that is my best memory.”

Do trips to Nashville, and other trips across the Midwest justify the cold, rainy, miserable practices for Macabee and other student-athletes? Sure, but that is not all that goes into it. Club sports at Indiana give athletes who otherwise would have to give up on the game they love and have played since they were young, a few more precious years with the sport; and are a fun, creative outlet, for students to make friends, and play sports, and what could be better than that?

By: Katie Williams, Cali Stouder, Matt Novello

BLOOMINGTON, Ind. (Mar 27, 2025)-

Odds are if you go to the football and basketball games here, you have seen the Red Steppers. The Red Steppers of Indiana University are a dance team here at IU and perform multiple times during Indiana athletic events. Similar to cheerleaders, they perform on the sidelines during the football games while also performing on the field during breaks within the games. Whether it be timeouts, the end of a quarter, or halftime, they go on the field multiple times to provide entertainment for the crowd. And when it comes to basketball games, it is very similar, they perform on the court during breaks within the game so there is entertainment for the crowd.

The Red Steppers are actually not associated with IU Athletics, as according to blogs.iu.edu, they are a part of the Marching Hundred, which is also a part of the Jacobs School of Business. Just like the athletes at Indiana University, the Red Steppers have to put in a lot of work.

Most of the dancers have been dancing their whole life and have been practicing since a very young age so they were able to get to the skill level they are at now. In practice and before events, they have to master the routines they practice so they can be perfect when performing. They practice every day, around six to twelve hours a week, while still having to attend class and do school work, but unlike athletes, they are not the center of attention when it comes to the events they perform at. The Red Steppers even have to put in a lot of offseason work so they are ready for when the season arrives. They are a big part of the athletics here at Indiana University and for our story, we interviewed two current Red Steppers at Indiana University, Sophia Sales and Mia Fox.

In these interviews, we asked a lot of questions so we could learn about what it is like to be a Red Stepper here at Indiana University. Sophia Sales mentioned that during football season, they have to make sure they perfect their routines before the games. In our interview with Sophia, she said, “During football season, for anywhere from four to six practices which are three hours each…” This goes along the lines with how much work these dancers have to put in to be successful and perform to the best of their ability.

Sophia also mentioned how she believes that the hard work she puts in helps her in life by teaching her how to have a strong work ethic along with having a work life balance. Just like how being on the Red Steppers is physically challenging with how much practice they have to put in, it is also mentally challenging. The Red Steppers are a big family and they are there to support each other, just as teammates are on a sports team. Sophia also mentioned how her coach does a great job at making sure their whole team has a great bond. This contributes to everyone having more fun while performing as they are a very close-knit team.

When we asked Mia about practicing before events, she mentioned how they first learn the routine from a video at home. This shows that Red Steppers do not only have a lot of work to put in at practices with the team, but also at home on their own. It’s very similar to how athletes practice on their own to perfect their craft, Red Steppers do the same thing. Mia also mentioned that being a part of the dance team makes it hard to have a “normal” college life, and they have to give that up. Mia stated, “I have made a lot of sacrifices to be part of the IU dance team, I feel like the biggest one is you give up that totally normal college girl life.” It is hard for these dancers to be able to still have a lot of fun in college with how much work they have to put in, but overall, Sophia and Mia both said they have loved college so far including being a part of the Red Steppers. Being a part of the Red Steppers has been a dream come true for both of them.

By: Chiara Brewer, Lucas Hernandez, and Nate Gouker

BLOOMINGTON, Ind. (April 3, 2025)

Beneath the bright stage lights of the IU Auditorium, a group of dancers join as one in a seamless blend of movements painting a story through their artistry and athleticism. The energy is electric and the passion undeniable. This is Fusion, the annual showcase for InMotion Dance Company (InMo), a student-run organization at Indiana University. For junior Megan Wright, InMo isn’t just a dance team, it’s home.

Wright, a social work major from northwest Indiana, has been dancing since she was three years old. Though she switched on and off with gymnastics in her early years, dance has remained a constant throughout her life. From pom to hip-hop to contemporary, she found joy in movement. But when she arrived at IU, she wasn’t sure if dance would still be part of her journey, until her close friend Bella Weisbrodt encouraged her to try out for InMo. “I heard about InMo from my friend Bella,” Wright recalls. “She told me to try out, and I started my sophomore year.”

Now in her second year with the company, Wright has found her place among the 100-member team. Unlike the high-pressure teams of her past, InMo offers a unique experience, one centered around enjoyment rather than perfection. “It’s really just to fall in love with dance,” she says.

Founded with the goal of giving students the opportunity for a creative outlet, InMo has become a safe place for dancers like Wright. The company welcomes a variety of skill levels and backgrounds. Students are choreographing and teaching their own pieces. For Wright, rehearsals are a regular part of her weekly schedule. “I have three hours on Sunday, one on Tuesday, an hour and a half on Wednesday, and an hour on Thursday,” she explains. However, the commitment level varies for each dancer. “It can look different for everyone. You only go to the rehearsals for the dances you’re in.” Wright notes that a great part of InMo is that each individual can put as little or as much into it as they choose. 

The highlight of the year is Fusion, set for April 5, 2025. The event is a culmination of months of practice, featuring a mix of contemporary, jazz, hip-hop, and even tap. “The production numbers for contemporary, hip-hop, and jazz are really big,” Wright says. “They’re all from different choreographers, so it’s just super fun. You get a different vibe from everyone.” For many members, the showcase is more than just a performance. It’s a moment to celebrate their hard work, creativity, and friendships. “I honestly can’t imagine my experience here at IU without InMo,” Wright says. “It’s brought me some of the greatest people and my closest friends. It’s so great to be surrounded by people you never get sick of being around.”

Bella Weisbrodt, an IU senior from northwest Indiana, is a close friend of Wright’s and played a major role in leading her to join InMo. Now serving as co-head director of contemporary, she’s been part of the team since her freshman year.

“Coming into college, I really didn’t think I would dance again, but I found InMo,” Weisbrodt shares. Weisbrodt has been dancing her whole life, so walking away from it would have been a difficult task. After looking up dance organizations on campus, she discovered InMo and decided to give it a shot. “Before my freshman year, InMo wasn’t that big because of COVID. But a lot of girls turned out, and a lot of people from my area also joined.”

For Weisbrodt, InMo became a way to keep dancing in her life without the same pressures of the competition dance world she came from. “InMo is dancing without stress,” she says. “It is a way we can actually express how we feel through dance, instead of having to make sure we’re doing the counts right, and everything like that.”

Her role as head director of contemporary has given her an even deeper appreciation for the art. “With choreographing, a lot more of my time is dedicated to InMo: making the dances, going over videos from practice, having the corrections down, making sure everything is done on time,” she says. “It definitely can be stressful at times, but watching your piece on stage is really what makes it worth it.”

Both Wright and Weisbrodt agree that Fusion is the defining moment of their InMo experience. “My favorite memory was my first showcase last year,” Wright shares. “We spent the whole weekend together, and it was so nice to see all of our hard work pay off.” For Weisbrodt, gearing up to see her choreography on stage has been an exciting process. “Being a co-head director of contemporary, it’s been a really awesome experience watching our piece come into place.”

As the countdown to Fusion 2025 continues, the dancers of InMo continue to rehearse, perfecting their movements and strengthening their bond. Whether they are seasoned choreographers or students rediscovering their love for dance one thing is clear, InMotion Dance Company is more than just a performance group. It’s a community, a creative escape, and, for many, the heart of their college experience.

“InMo really changed my college experience,” Weisbrodt says. “I found most of my friends here. If you’re going to dance with someone, you’re going to get close to them at some point.” Wright concludes, “It did really make me fall in love with dance again.”

 By: Wesley Sewell, Drew Foertsch, Haoran Zhu

BLOOMINGTON, Ind. (April 3, 2025)

Yaoxin Wang remembers the first time she picked up a guitar. She was just a child, drawn to the instrument because of her father. Music was her identity. By middle school, she was performing on stage with the band. In high school, she was accepted into the prestigious Art Department of PLA University, a significant step toward her dream of becoming one of the most famous female guitarists in China.

Then, in a single, unexpected moment, everything changed.

But what was meant to be a reward turned into an unexpected tragedy. A serious motorcycle accident left her middle and ring fingers too weak to hold the strings. The realization hit her hard, “I can’t hold the strings anymore. I can’t go to the university that accepted me,” Wang says. Just like that, her dream was shattered.

When her father recalls the memory, he says, “When she got that acceptance letter, we thought everything was falling into place.” We could not have imagined how swiftly it would all change. She desired that motorcycle so intensely. At the time, all we wanted was to see her happy,” he says in a hushed tone. “Looking back… it’s hard not to ponder.”

Losing her ability to play was not just a setback, it was a devastating blow. Music had been her passion, her plan for the future, and her way of expressing herself. Without it, she felt lost. “Sometimes people have to say goodbye to their dreams,” she reflects. “But there is no correct answer in life, nor is there a universal formula.” The struggle of letting go was real, and the pain was palpable.

Instead of music school, she looked to study law at Indiana University. It was a decision rooted in stability, a practical career path. But no matter how much she studied, something was missing. Law was logical, structured, and rigid. Wang was lacking the creative challenge that she was familiar with. 

For Wang, reinvention came in a form no one could have predicted: fashion.

She had always admired fashion but never considered it seriously. It was not until law school that she realized how much she cared about it. Instead of focusing on what she had lost, she started thinking about what she could create. She emphasizes the importance of personal growth, saying, “The harder thing after giving up your dream is whether you have a stronger heart to adjust yourself.”

Although her family did not fully understand her decision, they later expressed their praise: “At first, we didn’t know what to think. Law school made sense. A clothing store? That was unexpected,” he laughs. “But now I see it’s the same creative fire, just expressed differently.”

She began researching the industry, sketching ideas, and learning the business side of fashion. Over time, her new dream became a reality. Now, at 29, Wang is preparing to open her clothing store in Indianapolis.

Opening a store is not the type of performance Wang had thought she would be doing at this point in her life. 

Performance is not just about being on stage. It is about dedication, passion, and pushing forward despite unplanned things. Wang may not be playing guitar under the spotlight like she once dreamed of, but she is still performing in a way she never expected. Succeeding where others have failed in her situation is what makes her powerful. 

Wang says the most surprising part of starting her store has been the freedom. After years spent studying case law and reading dense legal texts, she now wakes up excited to pick fabrics, arrange displays, and speak with customers. “I finally feel like I’m doing something that reflects who I am,” she says. The store isn’t just a business, it’s a space where she can rebuild confidence and connection. Each outfit she curates is like a message: a way to communicate identity, much like she once did through music. 

Wang’s story is a testament to the adaptability of dreams. Life is full of adversity, sometimes we’re forced to take a different path or change our dreams altogether. But as Wang has shown, a new dream can be just as promising as the one left behind. Wang’s story demonstrates that no matter what life throws at her, she will conquer it. This is a powerful reminder that you can rise above any challenge, no matter how daunting it may seem.

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By Izzy Hamilton, Cayman Werner and Brayden Kenworthy

BLOOMINGTON, Ind (Apr. 3, 2025)

Powerful and resonant tones soared through the air as Daniel plucked the tough strings of the cello. Deep and soulful melodies transport the audience into a warm and peaceful place, allowing the music to create a deep sense of satisfaction.

The Jacobs School of Music at IU is a highly competitive musical program that only accepts 25% of applicants annually. The hours of dedication to practice and juggling school work can be demanding for students at Jacobs. Daniel Gruber, a current sophomore at Jacobs with a cello performance major, has been interested in music since a young age. Growing up, his mom played violin professionally, which allowed him to grow a deep-rooted appreciation and love for the musical arts. 

“One day, I was like Mom, what is that? And she said, ‘It’s the cello,’” said Gruber. From then on, he was hooked and said that even when the cello was too big for him to play, he still wanted to hold it and begin learning as soon as possible.

In addition to being exposed to music so early in life, Gruber often got the opportunity to attend professional orchestra concerts. He mentioned how in high school, he remembers “just sitting there and enjoying the sound.” He even compared it to a “mini vacation.” Gruber discussed how his goal is to provide that experience for other people, which is what initially made him want to pursue music full-time.

Gruber was introduced to Jacobs by attending a pre-college program, and while there, a professor suggested that he attend the school. Gruber mentioned that the first semester of college went pretty smoothly, but his schedule quickly amped up as he was juggling a number of difficult classes, joined a quartet, and was feeling a lot of pressure from his professors.

“It’s definitely difficult, and definitely a lot of work, but always rewarding,” said Gruber. 

When asked how much time he devotes to the cello a week, he said, “A week?! Can I just give you a day, and you can go from there?” He then walked us through a typical day in his life, where he stated he has classes in the morning, rehearsals in the afternoon, and then practices on his own in the evening. He concluded that he most likely spends around six to eight hours a day dedicated to playing the cello.

A vital part of Gruber’s life is his faith. Growing up, he was always a part of the youth group at church, served on a worship team, as well as served on the adult and youth music teams. He got involved with the Christian Student Fellowship through his friend Abby, who did her undergrad at IU. When she heard that he was coming here, she reached out to him and suggested he join the CSF community. He mentioned that IU can be very dark and lonesome at times, so at the end of the day, it’s nice to be able to come home and have faith-based conversations with genuine friends that are going to influence him positively.

In Gruber’s words, “CSF is a house where around 50-60 residents live and a place where you have the opportunity to live in a Christ-centered community that provides fellowship, services such as small groups and encounter on Thursdays, and a very intentional community.”

Balance as a college student can be extremely difficult, even without the extra challenges of being a competitive music major. When Gruber was asked about how he is able to balance all of the most important aspects of his life, he said, “I try to keep school at school.”

It is important to Gruber that when he comes back to CSF at the end of the day, he can dedicate his time to community and fellowship. In addition, he makes sure to attend the worship services on Thursdays as well as church on Sundays. 

Gruber talked about how when the cello is time-consuming, he tries to keep the mindset that “it is [his] worship.” He likes to view the cello as a way that he is working for the Lord instead of his professor. He mentions that this can be extremely difficult at times, but he tries to stick to it.

Ben Geiger, CSF’s lead campus minister, said that Gruber is very active, cares about the CSF community, and is friends with pretty much everyone in the house. “He’s very involved in small groups, as well as very passionate about helping serve on campus, as well as at the CSF house,” said Geiger.

He then told a story about a time when Gruber and a group of his friends asked if a special exception could be made within the CSF house so that more people could live there. “Legally, we can room up to four people a room, but typically the only leases we offer are for two to three people to a room,” said Geiger. This situation is an example of how Gruber puts others before himself and makes faith the center of his life. “It just shows a little bit of his heart,” said Geiger.

Daniel displays grit and determination to balance a rigorous school schedule, intense cello expectations, as well as social and faithful fulfillment. By keeping faith the center of his life and dedicating his time to what matters most, he is able to maneuver his laboring college life with a smile each day. 

https://www.youtube.com/watch?v=z8Jo4orhUd4

Daniel Gruber, a cello performance major in the Jacobs School of Music, balances his life of music and faith through excelling in academics and the Christian Student Fellowship at IU. He finds fulfillment in both worlds, despite their differences.